The past several years have witnessed a group of experiments in 'staging' Shakespeare on film. This book introduces and applies the analytic techniques and language that are required to make sense of this wave.
This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in ...
Although the intermedial turn taken by such artists heralds a virtual future, this book demonstrates that embodiment--in more diverse forms than ever before--continues to exert expressive force in Shakespearean reproduction's turning world.